There are 4 key concepts to every music video ever conceived, in fact, 4 key concepts to any VIDEO ever conceived. These are:
Mise-en-scene
Sound
Cinematography
Editing
Well, as we are making a pop-punk video, I suppose I should go over how I would use these 4 concepts of video creation!
Mise-En-Scene
Mise-En-Scene is what you see simply put, it is the lighting, the costume, the actors, the props, the set the everything visual.
In pop-punk this normally means dousing your main-roles in dark or forboeding outfits that seem to scream to the world “Anarchy” (yes I am aware how much I use this word) as well as that they have a general outline for how they feel like their life is going. Most people who listen to pop-punk tend to listen to it for escapism and so able to see other people feeling sad and down about what makes them sad and down really does help.
The lighting changes wildly depending on what kind of song is playing, however in this case I suspect very bright and flashy lighting should be used, hard-light for example, would be able to show off the emotion in both the bands face and the lead actors once again getting across their emotions to the audience.
Prop and set wise I think it is fairly safe to say that our “band-scenes” will be played in a wide open space, maybe with a spotlight on us, perhaps an empty hall or a stage. And for the story, well, we might change the plot at a later date so I am unable to confirm anything however I feel like a “club” or other place where teenagers hang out would be a good idea.
Sound
Sound is what you hear, it is very simplistic in the sense that for this music video we do not create the music but instead the visual stimulus to it. HOWEVER! it has been known in certain music videos like “complicated” from Avril Lavinge, there are spoken words at the start and perhaps even in the middle or the end of the music video, another good example is “Jesus of Suburbia” by greenday. In this case however I feel like we’ll simply stick to the music and keep anything external out of it.
Cinematography
These are the shots you see, HOW the Mise-en-scene is shown if you will. For Pop-Punk there is a number of different codes and conventions when it comes to cinematography which once again is dependent solely on the band. However for this specific video I feel like we need close up and personal shots to, once again, highlight the emotions of the characters. The band shots should be long shots and should exhibit each member of the band individually as that is what tends to happen.
Editing
This is how a shot changes, is it fast? is it slow? is there a special wavy effect? is there lens flare?
In our case I hope to use lots of short and sharp changes for the band scene, this is due to how much we want to show and how we want our audience to know that we are yet again, full of anarchy. (I think I might bold every time I say that word from now on). However for the story scenes we will use a lot of things such as long shots that take a while to see as the story will be a fairly touching one that will hit close to home for so people. However I feel like all in all, the length of the shot is solely based off of how fast the music is going at that given point in time.